Playing with the Pappy Old Fashioned

I’ve always been hesitant to use long aged (AKA $50+) whiskey in cocktails, thinking that a 6 year old rye or 10 year old bourbon offer a better balance of approachability and complexity from time in the barrel. A bottle such as Pappy Van Winkle 15 year old bourbon has always been reserved for neat drinking in my house, due to its amazing character and its cost, quite frankly, but also because it just seems a bit sacrilegious to mix anything beyond a few drops of good water into something so fine. Now, I’ve heard of Pappy cocktails being served at pairing dinners with Julian Van Winkle III himself at the table, but it wasn’t until I read John Kessler’s brief chat with Charleston chef Sean Brock that I had a strong desire to explore Pappy in a cocktail. Chef Brock shared an approach for making a Pappy Old Fashioned that Mr. Van Winkle himself had recently offered up – a slightly unorthodox approach that, I’m sure, plenty of thought and experimentation went into. So with the Van Winkle-endorsed recipe in hand, I joined a few Pappy-appreciating friends to tinker with the recipe and contrast it with the standalone bourbon. The fact that we were playing with the Old Fashioned eased my apprehensions as well, given that it’s one of the simplest of classic cocktails, one that focuses on the primary ingredient (here, bourbon), layered with the interplay of aromatic bitters and the sweetness of a bit of sugar.

The test was this:
Glass A – Pappy 15
Glass B – a conservative take on the Pappy 15 Old Fashioned, adding a cube of brown sugar doused in Angostura and orange bitters
Glass C – following Mr. Van Winkle’s lead, taking the above and adding a small wedge of orange to the mix
Glass D – blending the Glass C approach with another common Old Fashioned technique, the addition of a touch of club soda

So, we started with the bourbon itself and progressed step by step to cocktails that layered on extra dimensions. The results were fascinating to say the least…

Glass A – Pappy 15 – a genuinely great bourbon worthy of slow contemplation on its own. The first thing that hits you is the depth of the nose that the time in the barrel has provided, caramel, leather, cedar, on and on. There is the evident heat, it is 107 proof, but it’s kept in check amidst the layers of spice and toasty caramel. Close to perfection in a bourbon. How can you mess with this?!

Glass B – Pappy 15 Old Fashioned, with brown sugar and bitters – wow, the nose now is completely changed, gone are the deep aged notes, in are the bright aromatics of the bitters, which really take over. Bitter orange peel, cloves, sharp floral whiffs. Where’s the Pappy? But then you take a sip, and the Pappy emerges, now a bit sweeter indeed, a bit more rounded, present but definitively altered – a cocktail rather than a bourbon in the glass. Is it better? No, not really. Is it good? Yes, definitely. And as the drink sits in the glass, the cube of ice melts a bit, the bitters take more of a back seat and integrate into the bourbon more effectively.

Glass C – Pappy 15 Old Fashioned, with a wedge of orange in the mix – OK, now this is interesting. The orange muddled into the bourbon increases the orange notes (duh) that hit your nose up front, but the sweet acidity of the orange also somehow manages to make the drink “fuller,” smoother, rounder. Dare I say more interesting? This is an excellent cocktail, no doubt, with a LOT going on between the citrus, the bitters, the bourbon itself. It respects the bourbon, but adds a playful element of surprise to the Pappy experience.

Glass D – Pappy 15 Old Fashioned, now with a touch of club soda – a little bit of water can go a long way. Here, alas, the way it’s going is a dead end, a distraction, a verge off into too sweet and too mellow that basically diminishes the glory of the main ingredient. Fail. Well, maybe not a FAIL, but does not compare well to the other versions tested.

Conclusion: Pappy 15 is a glorious thing on its own. It’s hard to justify making a cocktail out of it, BUT… if you are hankering for a cocktail that respects a fine bourbon, there is an Old Fashioned that works delightfully well, that is interesting and engaging, that is OK to put Pappy 15 in! Julian Van Winkle III clearly knows his stuff, and the combination of the brown sugar, bitters and orange is a fine partner for Pappy.

So, here it is, a slightly modified take on Van Winkle’s Pappy Old Fashioned:

Ingredients:
1.5 oz Pappy Van Winkle 15 year old Kentucky Straight Bourbon
1 brown sugar cube (roughly 1 tsp brown sugar pressed into a cube)
Angostura Bitters
Orange bitters
Orange wedge, peeled, fruit only (Satsuma or similar is a good choice)

Preparation:
Place sugar cube over a paper towel on top of an Old Fashioned (AKA rocks) glass. Add 6 drops of Angostura bitters and 6 drops of orange bitters to the sugar cube, then let it settle through the sugar – a good portion of the bitters will absorb into the paper towel. Drop the sugar cube into the glass, and add 1/4 oz Pappy and a small wedge of orange. Muddle well. Add one large ice cube and 1 oz Pappy, then stir well. Once stirred, add a final 1/4 oz Pappy. And enjoy!

Notes:
Chef Brock uses a touch of sorghum over a regular white sugar cube instead of brown sugar. Mr. Van Winkle commented below to be sure to peel the orange and use the fruit only, so that the bitterness of the pith is taken out of play.

Do You Drink Like An Old Man?

Do you drink like an old man? Well? Do you, punk? I guess it depends on the old man in question. For Robert Schnakenberg, who wrote Old Man Drinks: Recipes, Advice, and Barstool Wisdom, drinking like an old man means favoring classic cocktails – imagine Don Draper from Mad Men forty years older, aging poorly, hanging out at the smokey corner bar down the street, still drinking the same old Manhattans and Old-Fashioneds. It seems like there are several thousand cocktail books out there these days, but this one clearly has a unique point of view – that of the grumpy old man. Mixed in with the 70 or so cocktail recipes are photos of and quotes from the type of salty old guys who populate those smokey corner bars, complaining about the vodka and red bull and appletinis all around them. Dry Mahoney, Grumpy Old Man, Rusty Nail, Harvey Wallbanger, Salty Dog – the names could describe the cocktails or the old men themselves equally well.

A good friend of mine has tackled the book with gusto in recent weeks, well on his way to “Old Man-hood,” and has been taking photos of his cocktail exploits and sharing them on Twitter (a not so “old man” thing to do, admittedly). I can’t help but head over to my home bar each time I see one of these photos, so spellbinding in their directness and ability to capture the essence of drinking like an old man. I have to admit, I’m pretty darn close to drinking like an old man myself. Enjoy…

Photos courtesy of Rowdyfood. Full flickr photo set here. Thanks to Robert Schnakenberg for the inspiration!

 

In Praise of Thirsty Friends

thirsty

Being “thirsty” means much more than the literal definition of “feeling a desire to drink” – being thirsty means being curious, eager to try new things, to learn about the origins and history of what you’re drinking, to track down the unfamiliar and noteworthy, whether in our own backyards here in the South or in far flung destinations. And being “thirsty” is a state best experienced with friends. Sure, one can sip a solitary Pappy Van Winkle all night long, but sharing with friends – that special Scotch, that beautiful bourbon, that remarkable wine – elevates the experience. Being “thirsty” is a state of connection to those who share our desire to experience the magic that can exist in a sip of something special.

Just last night, some friends invited us over and shared some treasures they had collected from across the continents of the earth – a lovely rum from Brazil, an imposing aquavit from Iceland, a confounding concoction that is nearly ubiquitous in Budapest but practically unheard of here in the States, several other strange and striking tastes of other cultures. Friends like these, thirsty friends, have the ability to inspire and enlighten, to both quench and increase our thirst for experiencing excellence in its many forms. Every bottle offers a story, a chance at adventure. Fredric Koeppel, an accomplished wine writer in Memphis, penned a wonderful rumination on the importance of thirsty friends, and thirsty mentors in particular. While most of us may not have the privilege of a mentor like the one Mr. Koeppel had, we should still be appreciative of those friends who enter our lives who do share a thirst for something remarkable. And we should seek to return the favor, in whatever manner we can. Whether it’s a $3 bottle of Chinese white lightnin’ or a $300 bottle of vintage Champagne, it’s the act of sharing itself that provides the greatest value.

So, to our friends who have shared Burgundy and Black Maple Hill, microbrews and brandy, thank you, for being thirsty, and for being a friend. Cheers.


Pictured in the photo at the top of the page: unknown Chinese spirit, Brennivin aquavit from Iceland (known as Black Death), Zwack Unicum from Hungary, forest fruit liqueur from Transylvania, Zwack St. Hubertus liqueur from Hungary. In the background: Oronoco rum from Brazil, alongside Rothman & Winter Orchard Apricot Liqueur. And some Maker’s Mark somehow found its way into the photo as well : )

In the Parking Lot with a Rattletrap

It’s a bitter cold January morning. The sky is gray, slightly ominous even. In an empty parking lot off N. Decatur Road in Atlanta sits a rattletrap, one of those old VW vans, a Westfalia the perfect junky color of orange rust, just like a jacket I had back in the ’70s. Three guys are hanging out inside the crowded van, puffs of smoke (or is it steam?) appearing every few minutes. Surely they’re up to no good, right?

Well, turns out, they are up to good. That VW Westfalia is packed with a nice old La Marzocco churning out espresso from Intelligentsia Black Cat beans (one of my favorites). Jordan and Dale and friends are staked out in the parking lot, serving up stealthy shots of espresso while their nearby coffee shop awaits the slow progress of city inspectors. You can feel their eagerness, anticipation, to graduate from the tight confines of the Westfalia (christened “Rattletrap Coffee“), parked catty-corner to Emory, into the full time space that used to be occupied by Octane Emory (and Method before that). The new spot will be named Steady Hand, which surely they are perfecting as they stretch to pour a perfect shot of espresso inside that little van. Despite the turnover from Method to Octane to Steady Hand, this space is a proven spot for a neighborhood coffee joint, and Jordan and Dale’s experience with Method previously has paved the way for some improvements that will make the new shop even better. The space is almost unrecognizable from Method days, in fact, as they’ve opened up a wall of windows and reshaped the counter to allow more seating and light. And these guys are clearly coffee addicts/enthusiasts/geeks – they are dedicated to making a great cup for folks who have figured out that they can do (much) better than the Starbucks just a few doors down.

Once Steady Hand is open, look for the Rattletrap around town as a mobile dispatch of deliciousness, but in the meantime, go hang out in the parking lot around the old VW van, and bring your best ’70s jacket to keep warm.

Rattletrap Coffee / Steady Hand Pour House
1593 N. Decatur Rd.
Atlanta, Georgia

Thirsty Reading: Boozehound, by Jason Wilson

See this book? The one with the multitude of darkly enticing bottles and casks on the cover? This is a dangerous book. A book that will cost you dearly. A book that will drive you to drink. A book that just may turn you off vodka forever (OK, that last part is not so dangerous).

Boozehound: On the Trail of the Rare, the Obscure, and the Overrated in Spirits by Jason Wilson is dangerous not because of its somewhat subversive stories of what constitutes a good drink, but rather because it will likely compel any fan of spirits and cocktails into the dangerous realm of obsession that the author clearly occupies. A world where chasing down rare brandies or long forgotten liqueurs is a path to wallet depleting joy and illumination.

Mr. Wilson finds a way of weaving tales that will leave you tipsy and laughing and thirsty for more. The book is literally a tour through some of the world’s great libations, their history, their path through glorious popularity or confounding decline. A jaunt into the agave fields of Mexico juts up against a tale of teenage tippling in suburban New Jersey. Secret formulas of herbs and uncommon ingredients are juxtaposed against the hyperbolic and highly suspect modern marketing “backstories” that seem to come with every new bottle on the liquor store shelf. Cocktail recipes appear at the end of each chapter to entice the mind, to further the already deeply felt urges that the stories implant – WHERE can I track down that rare Calvados, HOW can I live without that Creme de Violette, WHY is my collection of Italian Amari so minuscule???

Beware. Reading Boozehound is dangerous stuff. Now I better get over to the liquor store to pick up my bottles of Dubonnet, Benedictine, Amaro Montenegro, Creme Yvette, Luxardo Maraschino, rhum agricole…