And the Pulitzer for best wine descriptions goes to…

dirty rowdy wine
What is the point of a wine description from a winemaker? Is it to tell you what you might expect to taste in a wine? What berries are on the nose? What farm animals might be sensed in the mid-palate? Is it to make sure you know what expectations the wine will conform to – the fact that it is indeed a wood-bearing monster Napa cult cab, or a petrol-laden but crystal-pure Mosel? Or is it to convey something of the wine’s soul… the spark of light that lives inside it… the joy it brings to the folks who made it and those they hope will enjoy it?

In my inbox the other day was this verse, describing a California mourvedre:

Evening echoes of Curtis Mayfield, Fela Kuti, Del The Funkee Homosapien, Daft Punk – and whoever just put on “Let it Whip” by the Dazz band is a saint! At the end of the night, this is the bottle you will be holding by the neck when you try to pinpoint the time in the evening that the dinner party become a dance party!

It isn’t so much a wine description in the typical sense of the term as it is a short story. A poem. A battle cry. A Ken Kesey koan. Does it adequately describe the wine? Well, it manages to tell you practically nothing yet possibly everything about what a bottle of that California mourvedre will do to you. So, yes, it describes it exceedingly well.

The words were written by Hardy Wallace, winemaker at Dirty & Rowdy Family Winery, on the topic of the winery’s 2015 California “Familiar Mourvedre. If there were a Pulitzer for wine descriptions, he would deserve one. A James Beard? That, too. Heck, give the guy a Nobel prize because these are words that offer the potential to bring peace to the world and enlightenment to the ages.

Hardy was been waxing wonderfully on the topic of wine ever since I met him about a decade ago in Atlanta. Back then he had a blog called DIRTY SOUTH WINE, which can still be found archived somewhere on the internets if you know where to look. A typical post read something like the following, on the topic of Savennières, which Hardy wrote in 2009:

There is something about the aging, speed freak, Karate choppin’, Elvis –  It’s the incredible energy combined with quick circular hand motions, an occasional kick, a bedazzled cape, and a runaway train of a band just burning down the track.  It gets you charged and riled up.  But now imagine something challenging, perhaps a little bizarre, and stankingly awesome (like Glen Velez and Lori Cotler) that transports your inner Cornholio to the same place.  This is Savennières.  The stony, freak show, of a delicious wine that unapologetically meets more foes than friends. 

You can see the path, right? From aging, speed freak, Karate chopping’ Elvis to conferring sainthood on whomever it was that elected to play “Let It Whip” alongside a bottle of juicy mourvedre? Yes, Hardy digs pop culture references, especially those of the musical variety, because they convey a lot more than simple sandalwood-this or sous-bois-that. They tap into our collective memories, our joy, our deep down desire for funk.

Here’s another Hardy gem from their recent fall release, which manages to pull in some musical notes, but also goes deeper on the actual soil and place the wine came from, not to mention offering guidance on the ever-engaging ; ) topic of drinking windows:

The vinous soundtrack to all night 70’s ski lodge parties. Heady wafts of pure fruit, dried raspberry, crushed granite, and mountain air. Groove is in the heart. It is medium bodied, and filled with high elevation flash and fruit. It will evolve and continue to improve, but the pleasure seeker in you will say I want it NOW! Just go easy. Though there is something here today, there is so much more to come from this wine. (2015 Skinner Stoney Creek Mourvèdre, El Dorado County, Sierra Foothills)

dirty rowdy wineNow the thing is, if it were typical plonk that Hardy was hawking, these exuberant missives would fall ferociously flat. It would be like Trump saying, “I know more about ISIS than the generals do. Believe me.” Absurd. But have you had any of the Dirty & Rowdy wines? Maybe it’s the power of suggestion, maybe it’s the eclectic soil and non-invasive techniques Hardy employs, maybe it’s simply voodoo magic… but they really do live up to Hardy’s crazy beautiful wine descriptions.

So when you read that the 2014 Antle Vineyard Mourvèdre, Chalone AVA, Monterey County, offers “chaparral, arid winds, and natural monoliths worshipped by ancient civilizations and avid rock climbers (Antle Vineyard sits less than 1 mile from the entrance of Pinnacles National Park),” you’ll surely get a feeling for where the wine will take you.

Or, in the case of the 2015 Rosewood Vineyard Old Vines Mourvèdre, Redwood Valley, Mendocino County… “in an alternate dimension, this is Evel Knievel daydreaming his last great ride. It is stars and stripes, canyons, rocket bikes, pyrotechnics, hootin’ and hollerin’- But beyond the showtime splendor, deep down there is meaning, clarity, and a Rocky like message in never giving up the fight… a deep long finish, bids a tearful and loving fare thee well to the crowd.

Of the 2015 Evangelho Vineyard Mourvedre, El Dorado County, Sierra Foothills, Hardy simply quotes The Mighty Clouds of Joy gospel group – “Take a load off your mind, Ride the mighty glory, Listen to my story, Ride the mighty high” before concluding, “this one is pretty good.” And, based on the words and wines of Hardy Wallace, I’m inclined to agree. Give the man a prize.

Jack Daniel’s, 1968

Jack Daniels 1968 Whiskey

I never really considered that tasting a Jack Daniel’s whiskey that was bottled in 1968 might be a possibility in the year 2016. Where would I find such a thing? How could it have escaped thirsty lips for nearly 50 years? How much would it even cost if I did find it? And, of course, how would it taste?

Well, I was recently given such an opportunity: a bottle of 1968 Jack Daniel’s, right in front of me. Clearly worn by time on the outside, but surely – hopefully – in wonderful spirit on the inside.

I didn’t find this bottle of Jack – it found me. I don’t know how it lived this long without being devoured. I have no idea how much it cost, nor the nature of any transaction involved. But I was soon about to find out how it tasted, and I quickly recognized that a bottle of Tennessee whiskey from 1968 should not just be considered in the sense of taste, but in the sense of time.


If you look at the history books, 1968 was not a particularly good year for this world, nor for Tennessee. Martin Luther King, Jr., was assassinated in my hometown of Memphis, Tennessee. Robert F. Kennedy was assassinated in Los Angeles just two months later. On the other side of the globe, North Vietnam launched the infamous Tet Offensive against South Vietnam and the United States. That’s a lot of awful for one span of 366 days (1968 was a leap year).

But, also in 1968, Star Trek treated American viewers to TV’s first interracial kiss. A bold (and controversial) act by three men in support of human rights took place on one of the world’s greatest stages – the Olympics. And the year came to an exhilarating finish with Apollo 8 orbiting the moon and offering the world an incredible look back at itself. So maybe it wasn’t all bad, after all.

In 1968, Jack Daniel’s (the distillery, not the man) was 102 years old, past the heralded Lem Motlow era, and well into the Brown-Forman years. Jack Daniel’s was already much-loved in Tennessee and throughout the United States. Thirteen years prior – in 1955 – Frank Sinatra had famously uttered onstage: “Ladies and gentlemen, this is Jack Daniel’s, and it is the nectar of the gods.” But Jack was not yet a global brand experiencing massive growth, nothing like the behemoth that it is today. That would start in earnest in the 1970’s.

So what would you expect of a bottle of Jack sent forward from 1968 into the future? Would you sense the tumult of history? Would there be a glimmering sensation that man was about to step foot on the moon after just having zoomed by for a good look? I had never asked myself those questions, but that changed last week when this bottle of 1968 Jack Daniel’s was set before me.


The setting for this taste of history was Nelson’s Green Brier Distillery in Nashville, itself a tribute to Tennessee’s whiskey past. Sean Brock, the executive chef and partner at Husk restaurants in Nashville and Charleston, was holding forth on the topic of Tennessee whiskey to a crowd gathered at the Southern Foodways Alliance summer symposium. He was joined by Charlie Nelson of Nelson’s Green Brier Distillery and Nashville journalist Jim Myers. And then they starting passing around little plastic cups of brown water. The gathered crowd had no idea what we were in store for.

Brock has earned something of a reputation as one of the nation’s foremost hunters of rare bourbon. He has dished on the drink with Anthony Bourdain on TV, and all you have to do is look at his cabinet of collectibles in the bar at Husk to know that he is serious about tracking down – and sharing – rare and yearned for bourbons. So maybe it shouldn’t have been a surprise that he had an unexpected bottle for us.

Like I said, I have no idea where Brock found this bottle – this 1968 Jack Daniel’s that was now before us. I have no idea how much he paid for it, or what dark closet floor it must have been inhabiting for decades. I was just thrilled to be given a chance to taste this whiskey that was born roughly a decade before I was, when stalks of corn harvested from Tennessee fields (at least I imagine so) soon met up with the limestone-rich spring waters of Lynchburg and artificial anything was nowhere in sight. GMO? What’s that? Fireball? Never heard of it. 

We smelled. We sipped. We savored from our small plastic cups. The 1968 Jack tasted unmistakably… Jack. If you’ve ever had Jack Daniel’s, you know what I mean. If not, feel free to remedy the situation in the near future. But the 1968 Jack also tasted unmistakably… long-lived. It had a haze of elusive maturity to it, not deeper, or richer, or even necessarily better than typical Jack. But it was more full of character. Actually, yes, it was better than typical Jack. Much better. If I had to peg the age-added notes dancing on my tongue, I’d lean towards almond extract or even baked almond meringues. But this tasting wasn’t about the tasting notes.

We turned our thoughts from almond aromas, and notes of caramel, to timelines and Tennessee.  We thought about what 1968 took from us, and what it left behind. We pondered the extent to which the world has taken in the lessons of 1968, of Martin Luther King, Jr., of trips to the moon. If only a glass of whiskey contained enough wisdom to answer any of that.

Closer to home, my mind turned from the historical landscape of Tennessee to one particular geographic corner – Memphis – where my late grandfather had already reached 55 years of age in 1968. I remembered being told that he had long ago joined the Jack Daniel’s Tennessee Squires association, which bestowed upon him a small plot of land in “the Hollow, Lynchburg.” That may seem gimmicky today, but I have to think that Jack Daniel’s in 1968 was simply a source of Tennessee pride in the midst of sometimes shameful times. Maybe it still is.

Either way, there’s little doubt that my grandfather sipped some 1968 Jack Daniel’s back in his day. That very same year, my father turned 21 while studying at Memphis State University, and had his first opportunity to legally take a pour. So, as I sat in a Nashville distillery, three generations of my family shared a symbolic sip, looking at once back in time and towards the future, through the amber lens of Tennessee whiskey.

Nelson's Green Brier Distillery Nashville Tennessee

Drinking the 2016 Atlanta Food and Wine Festival

FOMO-OSAD was in full effect this past weekend at the AFWF. That would be “fear of missing out -on some amazing drinks” at the “Atlanta Food and Wine Festival.” For those not familiar with the event, the highlights usually come in the numerous learning seminars on Friday and Saturday, where industry savants share wisdom on all manner of topics related to food and drink. The cool thing is, they don’t limit the topics purely to the American South – so things like sotol and raicilla and West Indies rhum agricole easily find their way in to the sessions.

I did my best to hop around in order to squeeze in as much goodness as possible, but I also know I missed quite a bit. That said, here are the 10 most excellent spirits I tasted during the event – spanning Mexico, Kentucky, and South Carolina, with a touch of Alabama thrown in for good measure:

Clayton Szczech mezcal sotol

I first met Clayton Szczech (that’s Spanish for “educated gringo,” I think) of Experience Tequila during judging for the IWSC Spirits of the Americas competition. To say he knows his stuff is putting it very mildly, and I’m always eager to see what rarities he might have in his bag. This time, it was a trio of artisanal spirits from Mexico – a bacanora, a sotol, and a raicilla, all of which are variations on mezcal, and all of which will play havoc with your spellcheck. Sotol Clande, Marques de Sonora Bacanora, and Don Chalio Raicilla are not likely to be found in the states at all, but they are a good reminder that exploring lesser known Mexican agave spirits is a worthy endeavor. Clayton was nice enough to provide details on each on his tasting mats (below), and I just love all the detail on the Sotol Clande bottle seen above (Grinding………. Axe; Oven………Underground Conical). Without fail, these were nuanced, far-too-drinkable spirits – the Clande sotol being earthy and green, reminiscent of desert brush; the bacanora being incredibly complex, with hints of caramel and white pepper; the raicilla full of intricate spice notes. Love it.

Mezcal

The awesome folks at High Wire Distilling hosted a party in conjunction with BevCon Charleston, at which Atlanta bartender extraordinaire Jerry Slater was pouring a drink including High Wire’s wonderful Southern Amaro. The cocktail was great (of course), but I must admit to enjoying sipping the amaro all by itself even more. Made with regional ingredients like Charleston black tea, foraged yaupon holly, Dancy tangerine, and mint, this amaro is spicy and deep, yet still bright.

High Wire Amaro

I ponied up $100 to attend the “master class” led by chef Sean Brock and featuring Drew Kulsveen of Willett Whiskey fame and Preston Van Winkle of, well, Van Winkle fame. The topic was rare bourbon and rare country ham, so you know it was going to be good – and the $100 entry fee ended up being a bargain. The bourbon lineup included Willett’s new four year old bourbon – bottle 223 of 235 bottles from 4 year old Willett Family Estate Barrel 651, 111 proof –  and one of the rare 23 year old bourbons they’ve been safeguarding for the past eight years. This was bottle 80 of a mere 81 bottles filled from Willett Family Estate “Barrel B60” – that means this 23 year old bourbon had yielded about 70% of its nectar to the angels over the years, since a new bourbon barrel holds about 266 bottles worth. Yes, it was heavenly stuff, especially at the 132 proof barrel strength. And Willett seekers beware, Drew said there are only TEN barrels left of this ultra-aged stock they purchased eight years ago. As for the four year old, this is Willett-distilled, and our bottle came from just the eighth barrel released thus far (all only sold at Willett’s gift shop in Kentucky). It’s impressive for a younger spirit, with a cherry cola profile and a cinnamon-amaro finish.

Willet Single Barrel Bourbon

If you know anything about Sean Brock, you know he loves Pappy Van Winkle and the Stitzel-Weller lineage. Preston Van Winkle poured us the 10 year old Old Rip Van Winkle, the 12 year old Van Winkle Special Reserve Lot B, and the 15 year old Pappy Van Winkle Family Reserve. These are all wonderful bourbons, and having them all side by side was a good reminder that the seldom seen Lot B remains a knockout bourbon that doesn’t command quite the same stratospheric fanaticism of its older brethren. It’s exactly what a bourbon should be, without the fireworks of its older brothers. The 15 year old? Still one of my favorite bourbons of all time.

Old Rip Van Winkle Pappy

Number 10 on my list? Another one you’re not going to find in a store – which is really the great thing about a festival like the Atlanta Food and Wine Festival. This was a “Ham Fat Whisky” from chef David Bancroft of restaurant Acre in Auburn, Alabama. I’m pretty sure it was plain old Maker’s Mark with some 2 year old ham fat thrown in, from that 2 year old Alabama prosciutto in the background, but really it was the combination of 2 year old ham, ham fat whisky, and the remarkable Poirier’s pure cane syrup that proved to be one of the best bites/sips of the festival. Awesome stuff – sweet, salty, fatty, powerful stuff.

Pork Fat Whiskey

There was plenty more – especially all the wonderful cocktails from Nick Detrich of Cane & Table, Paul Calvert of Ticonderoga Club, Todd Thrasher of Restaurant Eve, Kellie Thorn of Empire State South, Miles Macquarrie of Kimball House, and the gentlemen from Cure in New Orleans. Plus too much to even remember in the festival’s tasting tents. And I just know that I missed out on just as much amazing stuff – like David Wondrich making Chatham Artillery Punch. Dang. Anyway, in case you’re hungry, here are two more of my favorite pork porn photos from Sean Brock’s session, with a lagniappe of pork cracklin from New Orleans chef Isaac Toups thrown in for good measure:

IMG_0391

Sean Brock Ham

Cracklins

 

Booker’s Rye Review: The $300 Limited Edition Whiskey You Probably Won’t Be Able to Find

Bookers Rye

Ready for this? The numbers on the new Booker’s Rye limited edition, AKA “Big Time Batch,” are pretty staggering:

  • Booker’s Rye, the first ever from the brand, is 13 years old, plus one month and 12 days. Awesome.
  • Booker’s Rye is bottled uncut at 136 proof (plus 0.2). Love it.
  • Booker’s Rye costs a suggested $299.99 (plus whatever markup there might be to account for scarcity). Say what?

The obvious first question is – “so is it worth it?” The obvious second question is – “if so, could I even find it???” Sorry to disappoint you, but I can’t answer either of those questions for you. What I will answer are the more pedestrian questions of – “so how does it taste?” and “is it any good?” With that in hand, you are then free to hunt it down and determine if it’s worth breaking out your Amex Centurion card for.

Before that, a bit of crucial background info. This rye is a tribute to Booker Noe, the legend who served as longtime master distiller for the Beam brands and founded their Small Batch Bourbon Collection (including Booker’s Bourbon and Knob Creek). Put in the barrel back in 2003, the new Booker’s rye was among the “last barrels laid down” by Booker Noe in the final years of his life. Amazingly, Booker’s has never released a rye in all those subsequent years. According to Booker’s son Fred, current master distiller:

Dad saw the difficult, temperamental rye grain as a challenge – small, but tricky to work with – and he never backed down from a challenge. So, in 2003, he went big and laid down barrels of a rye whiskey in his favorite rack house – creating the first ever Booker’s Rye Whiskey… Barreled as a small batch late in Dad’s life, Booker’s Big Time Rye is a rare, limited-edition rye whiskey that won’t come around again any time soon…  and I’m proud to release it in his honor this May.”

Without further ado:

40235_BookersRyeBottleBoxShotcopy Booker’s Rye, 2016 Limited Edition, “Big Time Batch”
136.2 Proof, uncut (and unfiltered), approx. $300 retail
Tasting Dates: May 26, 2016 – May 27, 2016
Thirsty South Rating: WOW*

Tasting Notes & Review:

Right away, the burnt orange/amber color of this whiskey conveys considerable age. A sniff of this heady stuff confirms it – loads of vanilla and toasty oak, an undertone of thin wintergreen wrapped in dark chocolate. The 136 proof is pretty well in check, and thankfully there’s nothing to suggest that this rye is over the hill – 13 years seems like it was just right.

Sipping neat, that high proof hits your tongue with a searing burn, but the burn quickly turns to pleasure, and that pleasure goes on and on in a loooong warm finish. There’s plenty of cinnamon apple, more vanilla, brown sugar – this is one hot-out-of-the-oven-dessert of a rye whiskey. For the high proof fans out there, this will really hit the spot – with great depth of flavors, good harmony, and a quick but measured alcohol punch to the gut.

Over a cube of ice, the aromas from the Booker’s Rye become more elegant, more refined, with plum fruit emerging from the vanilla and oak. And, wow, the intense burn is gone, replaced with a much more lush and full-bodied embrace.  The plum notes carry onto the palate, now like a plum and apple spiced cobbler. The finish is still long, though more subtle than when served neat, with the fruit jumping to the front alongside the cinnamon. It feels a touch more bourbon than rye, actually, but if you look for the rye spice, it’s certainly there in the background.

If you ask me, a single cube of ice is the way to go with this. You start sipping right away before the ice dilutes and you get the full power of the 136 proof. Within a minute, the ice brings down that brute force and smooths things out. Just don’t put too much ice in there, because this is a whiskey you’ll want to linger over – and bringing that high proof down too much would be a shame.

Fantastic stuff from Booker’s. Yep, I’m giving it a rare WOW rating. Would I plonk down $300 to buy a bottle? Personally, probably not; but if you’re the kind of person who has the ability and desire to spend that kind of cash on good whiskey, you’re not likely to regret it.

Unfortunately, Booker’s Rye is quite rare, so good luck tracking down a bottle. And all indications are that this will not be a recurring release. If you happen to track down a taste, look to the heavens and thank Booker Noe for his foresight some thirteen years ago.

*******************************
* Thirsty South Rating Scale:
Wow – among the very best: knock-your-socks-off, profound, complex liquid gold!
Excellent – exceptional in quality and character, worth seeking out, highly recommended
Good Stuff – solid expression of its type/varietal, enjoyable and recommended
Fair – fairly standard or exhibiting obvious though minor flaws
Avoid – move away folks, nothing to see here, a trainwreck

Full Disclosure: Tasting sample provided by Booker’s. Photos courtesy Booker’s.

Drink Local: Atlanta Distilleries

This week, I wrote a roundup for Creative Loafing of the four Atlanta distilleries now operating. Between Old Fourth Distillery, ASW Distillery, Independent Distilling Company in Decatur, and Lazy Guy Distilling up in Kennesaw, you can now stock a bar with Atlanta-made bourbon, vodka, gin, rum, corn whiskey, and more. Pretty amazing considering we had exactly NONE of that just a couple years ago. DRINK LOCAL, y’all!

I’d encourage fans of spirits and cocktails to visit all four of these distilleries, as all are up to interesting things, and their stills are all absolutely gorgeous (and all different). Below are some of my favorite outtakes, to give you a feel for the beauty in the stills. Also, be sure to check out Thirsty South’s full list of Georgia distilleries (not just Atlanta) and what they are producing.

Do check out the Creative Loafing roundup for more info, or comment below with any questions.

Old Fourth Distillery:
Old Fourth Distillery
Old Fourth Distillery


ASW Distillery:
ASW DistilleryASW Distillery


Independent Distilling Company:
Independent Distilling Decatur
Independent Distilling Decatur Independent Distilling Decatur
Independent Distilling Decatur


Lazy Guy Distilling:
Lazy Guy Distilling
Lazy Guy Distilling
Lazy Guy Distilling